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Please do not assume that a book's appearance in Google Book Search means it can be used in any manner. Copyright infringement liability can be quite severe. Google Book Search helps readers. You can search through the f. To dignify this personality. The main purpose of the. Schiller's personality as. Humboldt and Goethe, and that through a Century. There have been periods. Schiller's literary theory and. Goethe of the highest glory in German literature. But. though Schiller at one time admitted that the domain. Ijrric was an . It may be admitted that even. It will be an especially valuable process for. To illustrate concretely Schiller's. Sj. especially to Goethe, a limited number of parallel. Schiller's own works, which will indicate, as an. Schiller used. his capital of ideas and expression, and what interest. Digitized by. Vof OOQ IC. Together with. the necessary comment on the content and the language. Schiller worked out his plans. Uaboration with. Goethe. All the variants that are really important. In all these matters, the editor has. It is assumed that many important and charac- . Uateral reading. However, as one main purpose of the col- . Schiller's dovelopment as a poet. Lehrjahre (Nos. 1- . The. punctuation is normalized, and the orthography modern- . Digitized by V^OOQIC. VUl FREFACB. The impor- . Biblio- . graphical Note, or mentioned in the annotation of the. The editor desires to express his. Royal Library in Berlin and the libraries. Northwestern University and Western Reserve. University for the use of first editions and other material. Professors Guido H. Stempel and. Eugene Leser, for valuable suggestions and kind assist- . Uisri. VERSi. TY, November, 1. Teilung ber (Stbc ^5^ 8. III. SMftid^Ctt 8. Unftctblid^fcit 8. Majestas populi 8. Sorjug . 7> s,^. Rani unb feine Sluelcgcr 7?> rs.^.^. SBiffenfd^aft ? r?> ^^ 8. SReiftcrjaljrc, 1. Jlufe 1. 56. 6. 7. Der @raf bon gabsburg. He Literary. was not a f acile improviser of occasional verse, ^. There is all the dreariness of the set task in. Stammerings of his muse . All that was. really inspiring, all that appealed to the imagination. Homer and Shakespeare, for instance. How far he was from enter- . Homer appears from the quite. Homeric treatment of the scene between Hector. Andromache (No. On the other hand, Rousseau. The ancient lyric. But just. as the drama of the Storm and Stress inspiredhis first. German. lyrists of the mid- century were the modeis of his first. And here it is clear that Schiller's. The. Anacreontic warblings of love and wine that echoed. Hagedom through. Gleim to Lessing's and Goethe's student days, seem to. Swabian youth, whose. Protestant. p. The severe and formal moral earnestness of the. Haller, whom Schiller still admired as. XV. Bible may be taken for granted. Of bis mother's two. Geliert apparently made little Impression. Scbiller, who doubtless feit the lack of. Uz exerted. a notable influence, but only tbrough bis solemn didactic. Anacreontic or. Horatian vein. Witb all bis generation, Scbiller revelled. Uty of Young's . Tbere. Klopstock, bis . Tbe stiff. An die Sonne, dating, as bis sister asserted. Robertson, History. German Literature, p. The. same qualities, but less impaired by the crudeness of. Schiller wrote during his later school days and immedi- . W. XVU. that was almost a sinecure, but with starvation pay. The great success of Die R. So that. when a rival for the highest poetic laureis of the home- . Schiller. The rival was Gotthold. Even in the themes treated in. St. The variety of tones found. Schiller's lyric production. The earlier solemn manner. Natur. S!^ of God in his creation, after the fashion of. Haller and Klopstock; the most original of. Schiller's Imagination to. Quito different is the use. Morgenphantasie (No. Senti- . Digitized by Vj. OOQi. C. INTRODUCTION. XIX. mental nature poetry of the conventional type is repre- . Die Blumen, The mythical scenes of classical. Tartarus and the ineffable joys of Ely- . Schiller's hatred. Der Eroberer, vents. Die schlimmen Monarchen, in which, with. Schubart, the poets lashes. System Schiller sings. Rousseau (No. 7), but even to the. But if the Lied is absent. Digitized by V^OOQIC. XX INTRODUCTION. Schiller uses this name. But the concrete object of. Spaces of the. eternal and the infinite. If in the Phantasie an Laura. No. 6) Schiller identifies his love with the cosmic. Laura am. Klavier he hears, as in a trance, the multitudinous. God in the tones. Frau Vischer's piano; all creation. Die seligen Augenblicke. Vorwurf an Laura he is a sort of Hercules lying at. Digitized by V^OOQIC. INTRODUCTION. XXI. Omphale and glorying in his complete sur- . Das Geheimnis der Reminiszenz the poet. Laura as being the severed halves. So we find two favorite. Anacreontic praise. Bacchus im Triller, a. Rabelaisian parody of the drinking- . Anthology. The spirit of satire and parody is much. Uection: satire of German journal- . Klopstock's other- worldliness, of St. The. epigrams in the co. Uection, in part complimentary, as. Klopstock, Wieland, and Spinoza, are largely satirical. The didactic appears quite baldly. Ein Vater an seinen Sohn, and in light. Digitized by V^OOQIC. XXll INTROD. Der Satyr und meine Mvjse gives a free. Inspira- . tion. The word. Phantasie j often recnrring in the titles of the Anthology. No. 5) ; and indeed these dirges, like. In contrast with the strain of these . Harshness and crudity, formlessness. Philosophie abstraction and of the imagination to. Swabian character are quite evident in Schiller's early. Anthol- . ogy, do not commend this co. Uection to delicate or. But the yoimg poet Schiller has the. And even in these early. Schiller often shows in the handling of his varied. After the brief prolific period of the Anthol- . XXV. ofl. Scer in the French Service. Though somewhat younger. Schiller, Frau von Kalb had far more experience. World than he, and her influence over him, like. Frau von Stein with Goethe, was profoundly. But this friendship, with its refining and. Schiller's. moral f orce was strained almost to the breaking point. Like Goethe. under the stress of his hopeless love for Lotte Buff. Schiller sought refuge from an intolerable Situation. This heart- searching moral conflict. February 1. 78. 5 to. K. The moral crisis confessed in these. Under the influence. An. die Freude (No. Wechselgesang. of Delia- Minna and Leontes- K. Development of the Artist. Thirty. Years' War. As this last historical work furnished the. Wallensteiny so. Schiller's first historical production, a translation of a. French study of Philip II., suggested the spirited. Then, after several. Weimar, Schiller seems. Wieland's request. Der teutsche Merkur. Die G. 1. 7), his new- found enthusiasm for . The efifort to attain to the Standard of. Digitized by. Vof OOQ IC. INTRODUCTION. XXVll. A few months later, the wistful adora- . Die K. 1. 8). which cost Schiller far more effort than any other of his. In spite of the frequent. I succeed in giving a consistent and unified concrete. But these ideas themselves are. Schiller's develop- . Again we are Struck. Goethe, who . Schiller. Rudolstadt, the quiet bliss of his. Charlotte von Lengefeld, the joy. W. So. it is interesting to note that when in 1. Danish. noblemen offered Schiller a generous pension for three. Prob- . lems, in letters addressed to his chief benefactor. And. though Schiller at this very time clearly recognizes. XXIX. for a co. Uected edition, he plans to return to poetic. This plan came to naught, how- . Schiller came to an end. It was then that, after. Goethe and Schiller really found. Doubtless. Schiller would have been led in any case by the fruition. Goethe's genius, and the sudden efflorescence of Schiller's. Impulse that. brought forth an unbroken series of masterpieces during. Goethe's influence; as, on the other. Goethe confessed that he owed a . What. Schiller had feit, vaguely though deeply, and had. Die K. But Schiller's. Philosophie study had this important result, that he. Digitized by Vj. OOQi. C. XXX INTEODUCn. ON. Schiller himself could not foresee what rieh l. In July 1. 79. 5 he. Muse. Tir- . almanachj but when this almanac appeared, in January. Schiller; be- . sides, many others had been published meanwhile in. Haren. XXXI. The boisterousness, the excesses, the dissonances, the. Anthol- Maturity. There is far less variety in sub- . The great etemal sources of lync inspira- . God, nature, and love, are but rarely present to the. Schiller in this. Piatonic ideas. than the Greek Olympus or the Christian Paradise. Regained; nature is a beautiful picture, or a setting. Friendship (except. No. 2. 1), Uberty. Instead of. the Rabelaisian satire and parody, the somewhat ribald. Anthology, we have the subdued and. Pegasus im Joche (No. Die Teilung der Erde (No. No. 2. 2 and the satire of Die Weitweisen), the. Faustian revolt. The thought of. Die - K. The great antithesis of Nature and Art. Schiller's development as a. Schiller has now gained complete. The time of apprenticeship, of. Digitized by Vj. OOQi. C. INTRODUCTION, XXXIU. Schiller's^life as an artist are . No sooner had they. German. Satire of the eighteenth Century, but direct personal. Schiller, with his. Units, so that the grouping added largely to the polemic. Uection. Very many of these epigrams. Xenien as refer to Uterary. Maturity of the Artist. Then Schiller retumed to the dominant lyric. Klage der. Ceres (No. Goethe was then observing with the. If this symbolic. Goethe's scientific interests. Goethe's lyric manner appears in Das. M. 4. 9) and the distichs.
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